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Double portrait II


An expanded variation on Double Portrait that I made earlier this month. As is often the case, I was working on another drawing when this opportunity came up, so to speak. Then there’s nothing left but to try it out. To the satisfaction of the depicted chairs. Which in turn can be observed by taking the right position as a viewer.



A two-dimensional and a three-dimensional backrest of an Oirschotse chair mirror each other. We as viewers can then venture to reflect on reality, illusion and especially the area in between.



Repotting, spacing young plants so that they have room to grow, I did a lot during summer jobs in my youth. This is in a way a playful reminder of that, at least in my head. Here the leg has been moved like a kind of shoot, but immediately to another dimension. Now just wait for it to grow out.

Double portrait


A chair portrayed as I did in the series of the same name (see for example Portrait 16 or Portrait 43), but this time with two chairs in one frame. So a double portrait. But is it?



This chair by Cees Braakman, the sB02, already has a somewhat surprised look. At least for those who want to see it. Leaving out of its own shadow (is it?) that gaze is left behind. Amazement everywhere.

Next level

A slightly older desk chair helps with the helicopter view that is often missed in a regular office.

Mixed up IV


Pieces of DNA from very different chairs have been fused, through exquisite gene techniques and with my pencils as a microsurgical tools, into a new piece of furniture for a somewhat more outlandish couple. Obviously, the entourage cannot be left behind. It’s good that I have trouble throwing things away.


Cees Braakman‘s SBo2 makes a hundred and eighty degree turn here where the handrail does not go along or does not want to. A simple intervention that is reinforced by using the third dimension a little bit. Reverse squared?



Cees Braakman‘s SB02 is an unexpectedly rich source of ideas. It’s amazing how a casual discovery can yield such a series of images. For years I saw this SB02 with some regularity until at some point I noticed the resemblance of the placement of the screws to fix the backrest with eyes and mouth or nose. Drawn for the first time in the portrait series. Kijk! is also one of the earlier ones in this area. Some other designs also turned out to have these ‘facial features’: Backman, Couple or Portrait 33. Or what about ‘Encounter II‘.



What happened here? A break that much is certain, but can an accident be the gateway to another dimension? Is that what happened here? A kind of luck in the face of an accident, although it is not immediately clear what the profit is for this specific chair?

Babels end III

When falling turns into a choreography with a carefully orchestrated place for all in the whole, the memory fades and the biblical story becomes a myth, and this composition the new reality. Everyday chairs next to icons from the design world, all the same and all different. Painted shadows compete with real shadows , providing a pleasant tingle that subtly changes with the passing of the hours.


Uittreden VI


This so-called button chair is a very common chair with many local varieties such as the Drentse or Brabant button chair. Relatively easy made just about anywhere, this was a godsend for the less wealthy environments by using readily available cheap materials. Maybe by far the most renowned example although without a knob, is the one painted by Vincent van Gogh ‘Chair with pipe‘ in the collection of the National gallery in London.

Escher in Oirschot III


Is a frame drawn here to select a part for editing or an image, as is done on a computer? Or is the drawn chair growing out of its jacket?

Reluctantly, the maker here enters the third dimension and at the same time it remains a drawing on the wall. What is another list and how and when do you use it?

Finishing touch (Pinocchio)

After having drawn the De SBo2 by Cees Braakman many times in several ways, it is actually strange looking back that only after the Pinocchio, Pinocchio II and Pinocchio III saw the light of day, I made the connection between a pencil that just touches the paper and exactly in the right place, so that such a pencil actually becomes a Pinocchio together with the drawing. Now then it is only a matter of because still to be recorded, literally that is.