The way of looking and thinking on which the works from the ‘exit‘ and ‘pedestal‘ series are based gets incorporated. When, in this case, I leaf through the eight centimeter thick book ‘Atlas of furniture design‘ from the German factory Vitra in fact looking for a design by Rietveld (where was that again?), my eye is casually drawn to this chair. A design by the Italian architect Guiseppe Terragni for the Casa del Fascio: the Laraina. When the penny dropped, I started this work immediately.