My interest in visual rhythms and patterns combines very well with the use of the isometric perspective. Here lines that in reality run parallel also run in the drawing. So there is no vanishing point, so you can easily connect far away and close by, as Escher convincingly demonstrates in Bol en Hol. Each of the depicted chairs has been allocated the same space, namely an isometric cube. Carefully arranged side by side, this results in a colorful procession. By calling the Parade, it is also an ode to my carnival past.