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“We see a kind of section from a massive and all but endless row of swaying and wobbling chairs. The reference to the founder of the Chinese Communist Party in the 1920s, Mao Tse-Tung, is evident. Nevertheless such a title also allows thoughts about other large-scale migrations of living creatures. Think of the wildebeest in the African plains, or flows of refugees, escaping from whatever atrocities.” (from Chairs and Titles by Chris Manders in All in the Family, 2016)
For inseparable children who want to share everything they are supposed to eat.
The sun at its highest point (zenith) illuminating this image and turning it into a kind of crown of light. Flat and spacious at the same time, creating a subtle sensation.
A play with space and light. The passe-partout, which normally only serves to properly protect the work in a frame, is given a substantive role here. The space we are in does not reveal anything except the openings to the space or spaces we look out on. Light and shadow are thrown into our space.