Cutting away the residual shapes when I arrange or stack chairs started with Rietveld and has since conquered its place in my way of working and also thinking. In a small drawing like Backwards or in a large work like Tijdkring X. When cutting out, I also try to push my boundaries. Reason to dust off the starting point behind Babylonian score from 2018. Spatial and flat interwoven in several ways into a subtle fabric that subtly seems to move with changing light.