Drawings

Filter on price

Painter’s chair II

Sit back after an intensive painting session: that’s okay! And then you know you are covered in the back by the fruits of your own efforts.

Duet II

Commission

(Not for sale)

When my book ‘All in the family‘ was published, I made a gift in the form of a framed drawing annex luxury bookcase for a number of people who have helped me in any way. That goes for Pen and Gat and also for this one.

Pin and hole

Commission

(Not for sale)

When my book ‘All in the family‘ was published, I made a gift in the form of a framed drawing annex luxury bookcase for a number of people who have helped me in any way. That goes for this one and also for Duet II.

Kitchen chair

A framed drawings annex luxury bookcase seemed to me a suitable gift for people who made a substantial contribution to my book ‘All in the family‘. I liked that so much that it was the start of a series in which this was one of the first. My own office chair combined with one of our mixer attachments.

Handstand

Running, resting and therefore also playing chairs: A handstand in this case.

Bath

A somewhat atypical diptych where the boundary of what is a list and what it is for is scanned.
This work is only part of a series in which I explore the phenomenon of reflection in a fairly dry way. Like in Mirror and Mirror II and reflection.

 

Mirror II

A somewhat atypical diptych where the boundary of what is a list and what it is for is scanned.
This work is only part of a series in which I explore the phenomenon of reflection in a fairly dry way. See also Mirror en Bath.

Cross beam

180.00

Familiar elements combined in a somewhat less common way can nevertheless result in new seating furniture. We have known transverse lying much longer than transverse thinking. However?

Parallel world

180.00
Familiar elements mounted and connected in a somewhat different way. This mental exercise holds up well on the flat surface of the drawing paper. Hanging against the wall, this parallelogram can also be seen as a square in perspective.

Mirror

An atypical diptych where the boundary of what is a list and what it is for is scanned.
This work is part of a series in which I explore the phenomenon of reflection in a fairly dry way, as in the successor Mirror II and also in Bath.

Painter’s chair

175.00

A chair that the painter clamps in like an easel does with a canvas, then you as an artist are in the right place!

Modern devotion VI

725.00

A contemporary triptych. On the left panel the high chair where my own children sat and on the right panel a high chair in style by Gerrit Rietveld. On the central panel, the somewhat dismantled chair tries to keep up appearances with what it still has above the belt. After all, this appears to apply to only one point of view.

Rotation

625.00

A row of chairs that always show a different position of the chair and thus form a frozen animation. A film strip without frames.

Portrait 3

90.00

The 3rd portrait of a chair through the backrest. This one is from the first series of nine from 2012. After that it was ‘quiet’ in this area until in 2017 again nine new ones appeared. Followed by another twelve in 2018 and finally three more in 2019. I usually present them grouped in a larger number or also as smaller accents among other pencil drawings. See Portrait 14, 34 en 43.

 

portrait 2

90.00

The 2nd portrait of a chair through the backrest. This one is from the first series of nine from 2012. After that it was ‘quiet’ in this area until in 2017 another nine new ones appeared. Followed by another twelve in 2018 and most recently three in 2019. I usually present them grouped in a larger number or also as smaller accents among other pencil drawings. See Portrait Portret 14, 34 and 43.

Portrait 4

90.00

The 4th portrait of a chair by the backrest. This one is from the first series of nine from 2011. After that it was ‘quiet’ in this area until in 2017 again nine new ones appeared. Followed by another twelve in 2018 and finally another three in 2019. I usually show them grouped or also as small accents between other pencil drawings. Portrait 14, 34 and 43.